章子怡将与环球合作一部喜剧《East/West》，从片名也可以预知这是一部关于东西方文化的喜剧。章子怡将主演并担任制片人之一。美剧《摩登家庭》导演Jason Winer执导。Ethan Sandler与Adrian Wenner 负责剧本。

Unavailable on home video for many years (except perhaps as a grainy, nth-generation VHS bootleg), Penelope Spheeris' seminal document of the young 1979-1980 Los Angeles punk scene includes chaotic live performances by now-legendary groups like Black Flag (with short-lived lead singer Ron "Chavo Pederast" Reyes), X (giving themselves stick-and-poke tattoos) and the Germs (whose unpredictable lead singer Darby Crash would commit suicide before the film's release) interwoven with talking-head interviews with teenage punks and, most entertainingly, older club owners trying very hard to describe a growing form of music they were clearly unprepared for. The footage of Fear's confrontational set would later grab the attention of John Belushi, who snagged the band a 1981 appearance on Saturday Night Live (and resulted in $20,000 in damage to the studio). - Tom Fritsche

The third (and seemingly final) installment in Penelope Spheeris' Los Angeles music trilogy, THE DECLINE OF WESTERN CIVILIZATION III follows not the punk acts of Los Angeles from 1996-1997 but their homeless teenaged fans. Musician interviews in this DECLINE are fewer but include interesting musings from Keith Morris from the Circle Jerks and Flea (credited as the "ex-bass player of Fear"). DECLINE III lives up to its title as Spheeris explores every facet of the gutter-punk life, from their damaged upbringings (nearly all were abused or neglected as children) to the self-destructive lives they lead on society's fringe (alcoholism, homelessness and run-ins with skinheads, among others). - Tom Fritsche

The Decline of Western Civilization Part II: The Metal Years is a documentary film directed by Penelope Spheeris about the Los Angeles heavy metal scene from 1986 to 1988.

An ecology of signs lurking amid seductive 16mm travel footage echoes with post-colonial reverberations in Ana Vaz's deceptively corrosive, award-winning Occidente

讲述了一个与布宜诺斯艾利斯郊区地下博彩生意有关的故事。 　　影片由导演罗塞利真实生活中的邻居出演，模糊真实与虚构的边界，曾入围2024年戛纳导演双周。

讲述了一个与布宜诺斯艾利斯郊区地下博彩生意有关的故事。 　　影片由导演罗塞利真实生活中的邻居出演，模糊真实与虚构的边界，曾入围2024年戛纳导演双周。

主持人尼禄弗格森提出疑问，为何发源于15世纪的欧洲文明能够统治世界的其他地区，以及西方文明今后是否会被其他文明追赶上。同时，弗格森揭示了西方文明之所以如此风靡的“必杀技”。包括竞争、科学、有产阶级民主、现代医学、消费者社会、新教工作道德等等因素。最后弗格森得出了一些惊人且挑衅的结论。同时，他还认为，东方正在迅速崛起，即将飞速的取代西方，我们一起来看一下这些结论吧！

《像那一样的东西》是2011年突然病逝的导演大匠森田芳光同名电影35年后翻拍的续作，松山健一饰演主人公落语家出船亭志田，北川景子则饰演志田心中的所爱夕美。

Dominique Pinon talks to the camera describing his likes and dislikes, ranging from the simple such as "I hate men with a beard but no moustache" to the more touching, "I like to think that after death can't be worse than before birth." Each of his examples is accompanied by a visual demonstration. 　　Jean-Pierre Jeunet reused this technique in his 2001 flim Amélie when introducing the characters.